None of these cameras have the versatility of the FX6, and hopefully, the size and weight of the FX6 will serve as a model for all camera manufacturers moving forward. Noteworthy mentions include the Canon C70, Canon C200, Sony FX9, and Panasonic EVA-1, but there are obviously much more expensive options out there as well. Any documentary filmmaking camera should include built-in audio, built-in ND filters, and a codec that can meet the requirements of the broadcaster or streaming service that will be showcasing your work. As long as they’re designed around usability and don’t compromise on quality for cost and size, a skilled cameraman can use them to capture fantastic video for your films. There are a lot of cameras out there that can serve documentary filmmakers very well. You can literally just plug an external USB-C drive into this camera and record directly to it, saving you boatloads in media costs. The main benefit of filming with Blackmagic is the codec and storage options. This camera will give you fantastic images but it can be a lot to lug around, and can’t mount to a handheld gimbal like the C300 III or the FX6. It is, however, much larger than the FX6 with a weight of over 5 lbs without a battery and an overall size that is nearly twice as big. Pairing that with the free version of DaVinci Resolve, it's a tough camera to beat in terms of RAW. Coupled with Blackmagic’s fantastic BRAW codec, purchasing this camera means entering an ecosystem that offers nothing but the best quality and ridiculous playback speeds for any RAW codec. This fantastic image capturing tool set the standard for affordable filmmaking, and it is still heavily used today. With a few years under its belt, the URSA Mini 4.6K G2 hasn’t become outdated. Best RAW: Blackmagic URSA Mini Pro 4.6K G2.There are very few compromises with this camera, but if you’re looking for something from a different brand, consider these cameras. The internal XAVC-I 4:2:2 10-bit codec is just what it takes to meet the specs for broadcast and streaming, and for when you need a little more quality, it offers a simple HDMI output solution for recording 16-bit RAW.Īdditional features that are worth mentioning are the FX6’s built-in ND, high frame rate options, and Sony E-mount, which can adapt to almost any lens available. It is lightweight, easy to use with buttons for every setting on the outside, and still compact enough to fit in overhead storage while traveling.īut what documentary filmmakers really need is an image quality coupled with codecs that can meet their deliverables, and the Sony FX6 brings it all to their fingertips. One of the most notable things about the FX6 is its size and weight, at just 2lbs with a battery and a box camera design that can easily be mounted to any handheld gimbal to acquire incredible tracking shots and b-roll. A phase detection based AF system that can track objects, faces, and eyes will allow the cinematographer to focus on composition and story rather than milling about with their fingers on the lens barrel while they try their best to keep things in focus. Not only can the FX6 capture fantastic sound quality through its 2x XLR inputs with phantom power, but it also incorporates one of the best implementations of smooth, continuous auto-focus that has ever been offered on any camera. At times they can be no larger than just a single person. You could comfortably film a subject indoors, beside an open window and easily split the grade in post to produce a perfectly level final image with the Sony FX6.ĭocumentary film crews are often very small. With this camera, you need not worry about avoiding areas of high contrast or tinkering with adjusting practical light sources to compensate for the shortcomings of your image sensor. In Slog-3 it can capture 15+ stops of dynamic range, which is absolutely essential for a documentary filmmaker who needs to set things up quickly. The FX6 can capture a clean image at 12,800 ISO and still push the gain further and further to a point where we’re seeing things clearly in nothing but moonlight. The FX6 builds on top of that full-frame gem with an even more advanced low-light capability. Sony has had us seeing in the dark for the better part of the last decade with their A7S mirrorless series of cameras. With a glorious Full-Frame image sensor, rock-solid codecs, an easy RAW video output, astonishing high-speed modes, and a size and weight that allow it to be mounted anywhere to anything, this camera is a sure-fire solution for a documentary filmmaker who is on the go. The Sony FX6 is a compact beast of a camera that is loaded with features that rival its larger and more expensive big brother, the Sony FX9.
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